* The paper describes a method to separate content and style from each other in an image.
  * The style can then be transfered to a new image.
  * Examples:
    * Let a photograph look like a painting of van Gogh.
    * Improve a dark beach photo by taking the style from a sunny beach photo.

### How
  * They use the pretrained 19-layer VGG net as their base network.
  * They assume that two images are provided: One with the *content*, one with the desired *style*.
  * They feed the content image through the VGG net and extract the activations of the last convolutional layer. These activations are called the *content representation*.
  * They feed the style image through the VGG net and extract the activations of all convolutional layers. They transform each layer to a *Gram Matrix* representation. These Gram Matrices are called the *style representation*.
  * How to calculate a *Gram Matrix*:
    * Take the activations of a layer. That layer will contain some convolution filters (e.g. 128), each one having its own activations.
    * Convert each filter's activations to a (1-dimensional) vector.
    * Pick all pairs of filters. Calculate the scalar product of both filter's vectors.
    * Add the scalar product result as an entry to a matrix of size `#filters x #filters` (e.g. 128x128).
    * Repeat that for every pair to get the Gram Matrix.
    * The Gram Matrix roughly represents the *texture* of the image.
  * Now you have the content representation (activations of a layer) and the style representation (Gram Matrices).
  * Create a new image of the size of the content image. Fill it with random white noise.
  * Feed that image through VGG to get its content representation and style representation. (This step will be repeated many times during the image creation.)
  * Make changes to the new image using gradient descent to optimize a loss function.
    * The loss function has two components:
      * The mean squared error between the new image's content representation and the previously extracted content representation.
      * The mean squared error between the new image's style representation and the previously extracted style representation.
    * Add up both components to get the total loss.
    * Give both components a weight to alter for more/less style matching (at the expense of content matching).


![Examples](https://raw.githubusercontent.com/aleju/papers/master/neural-nets/images/A_Neural_Algorithm_for_Artistic_Style__examples.jpg?raw=true "Examples")

*One example input image with different styles added to it.*

-------------------------

### Rough chapter-wise notes

* Page 1
  * A painted image can be decomposed in its content and its artistic style.
  * Here they use a neural network to separate content and style from each other (and to apply that style to an existing image).

* Page 2
  * Representations get more abstract as you go deeper in networks, hence they should more resemble the actual content (as opposed to the artistic style).
  * They call the feature responses in higher layers *content representation*.
  * To capture style information, they use a method that was originally designed to capture texture information.
  * They somehow build a feature space on top of the existing one, that is somehow dependent on correlations of features. That leads to a "stationary" (?) and multi-scale representation of the style.

* Page 3
  * They use VGG as their base CNN.

* Page 4
  * Based on the extracted style features, they can generate a new image, which has equal activations in these style features.
  * The new image should match the style (texture, color, localized structures) of the artistic image.
  * The style features become more and more abtstract with higher layers. They call that multi-scale the *style representation*.
  * The key contribution of the paper is a method to separate style and content representation from each other.
  * These representations can then be used to change the style of an existing image (by changing it so that its content representation stays the same, but its style representation matches the artwork).

* Page 6
  * The generated images look most appealing if all features from the style representation are used. (The lower layers tend to reflect small features, the higher layers tend to reflect larger features.)
  * Content and style can't be separated perfectly.
  * Their loss function has two terms, one for content matching and one for style matching.
  * The terms can be increased/decreased to match content or style more.

* Page 8
  * Previous techniques work only on limited or simple domains or used non-parametric approaches (see non-photorealistic rendering).
  * Previously neural networks have been used to classify the time period of paintings (based on their style).
  * They argue that separating content from style might be useful and many other domains (other than transfering style of paintings to images).

* Page 9
  * The style representation is gathered by measuring correlations between activations of neurons.
  * They argue that this is somehow similar to what "complex cells" in the primary visual system (V1) do.
  * They note that deep convnets seem to automatically learn to separate content from style, probably because it is helpful for style-invariant classification.

* Page 9, Methods
  * They use the 19 layer VGG net as their basis.
  * They use only its convolutional layers, not the linear ones.
  * They use average pooling instead of max pooling, as that produced slightly better results.

* Page 10, Methods
  * The information about the image that is contained in layers can be visualized. To do that, extract the features of a layer as the labels, then start with a white noise image and change it via gradient descent until the generated features have minimal distance (MSE) to the extracted features.
  * The build a style representation by calculating Gram Matrices for each layer.

* Page 11, Methods
  * The Gram Matrix is generated in the following way:
    * Convert each filter of a convolutional layer to a 1-dimensional vector.
    * For a pair of filters i, j calculate the value in the Gram Matrix by calculating the scalar product of the two vectors of the filters.
    * Do that for every pair of filters, generating a matrix of size #filters x #filters. That is the Gram Matrix.
  * Again, a white noise image can be changed with gradient descent to match the style of a given image (i.e. minimize MSE between two Gram Matrices).
  * That can be extended to match the style of several layers by measuring the MSE of the Gram Matrices of each layer and giving each layer a weighting.

* Page 12, Methods
  * To transfer the style of a painting to an existing image, proceed as follows:
    * Start with a white noise image.
    * Optimize that image with gradient descent so that it minimizes both the content loss (relative to the image) and the style loss (relative to the painting).
    * Each distance (content, style) can be weighted to have more or less influence on the loss function.

This paper performs a comparitive study of recent advances in deep learning with human-like learning from a cognitive science point of view. Since natural intelligence is still the best form of intelligence, the authors list a core set of ingredients required to build machines that reason like humans.

- Cognitive capabilities present from childhood in humans.  
    - Intuitive physics; for example, a sense of plausibility of object trajectories, affordances.
    - Intuitive psychology; for example, goals and beliefs.
- Learning as rapid model-building (and not just pattern recognition).
    - Based on compositionality and learning-to-learn.
    - Humans learn by inferring a general schema to describe goals, object types and interactions. This enables learning from few examples. 
    - Humans also learn richer conceptual models.
        - Indicator: variety of functions supported by these models: classification, prediction, explanation, communication, action, imagination and composition.
        - Models should hence have strong inductive biases and domain knowledge built into them; structural sharing of concepts by compositional reuse of primitives.
- Use of both model-free and model-based learning.
    - Model-free, fast selection of actions in simple associative learning and discriminative tasks.
    - Model-based learning when a causal model has been built to plan future actions or maximize rewards.
- Selective attention, augmented working memory, and experience replay are low-level promising trends in deep learning inspired from cognitive psychology.
    - Need for higher-level aforementioned ingredients.

Disclaimer: I am an author

# Intro

Experience replay (ER) and generative replay (GEN) are two effective continual learning strategies. In the former, samples from a stored memory are replayed to the continual learner to reduce forgetting. In the latter, old data is compressed with a generative model and generated data is replayed to the continual learner. Both of these strategies assume a random sampling of the memories. But learning a new task doesn't cause **equal** interference (forgetting) on the previous tasks!  

In this work, we propose a controlled sampling of the replays. Specifically, we retrieve the samples which are most interfered, i.e. whose prediction will be most negatively impacted by the foreseen parameters update. The method is called Maximally Interfered Retrieval (MIR).

## Cartoon for explanation

https://i.imgur.com/5F3jT36.png

Learning about dogs and horses might cause more interference on lions and zebras than on cars and oranges. Thus, replaying lions and zebras would be a more efficient strategy.

# Method

1) incoming data: $(X_t,Y_t)$

2) foreseen parameter update: $\theta^v= \theta-\alpha\nabla\mathcal{L}(f_\theta(X_t),Y_t)$

### applied to ER (ER-MIR)
3) Search for the top-$k$ values $x$ in the stored memories using the criterion $$s_{MI}(x) = \mathcal{L}(f_{\theta^v}(x),y) -\mathcal{L}(f_{\theta}(x),y)$$

### or applied to GEN (GEN-MIR)
3)   
$$
     \underset{Z}{\max} \, \mathcal{L}\big(f_{\theta^v}(g_\gamma(Z)),Y^*\big) -\mathcal{L}\big(f_{\theta}(g_\gamma(Z)),Y^*\big)
$$
$$
         \text{s.t.}   \quad ||z_i-z_j||_2^2 > \epsilon \forall  z_i,z_j \in Z \,\text{with} \, z_i\neq z_j
$$
i.e. search in the latent space of a generative model $g_\gamma$ for samples that are the most forgotten given the foreseen update.

4) Then add theses memories to incoming data $X_t$ and train $f_\theta$

# Results

### qualitative
https://i.imgur.com/ZRNTWXe.png

Whilst learning 8s and 9s (first row), GEN-MIR mainly retrieves 3s and 4s (bottom two rows) which are similar to 8s and 9s respectively.

### quantitative 

GEN-MIR was tested on MNIST SPLIT and Permuted MNIST, outperforming the baselines in both cases.

ER-MIR was tested on MNIST SPLIT, Permuted MNIST and Split CIFAR-10, outperforming the baselines in all cases.


# Other stuff
### (for avid readers)

We propose a hybrid method (AE-MIR) in which the generative model is replaced with an autoencoder to facilitate the compression of harder dataset like e.g. CIFAR-10.

This paper’s high-level goal is to evaluate how well GAN-type structures for generating text are performing, compared to more traditional maximum likelihood methods. In the process, it zooms into the ways that the current set of metrics for comparing text generation fail to give a well-rounded picture of how models are performing. 

In the old paradigm, of maximum likelihood estimation, models were both trained and evaluated on a maximizing the likelihood of each word, given the prior words in a sequence. That is, models were good when they assigned high probability to true tokens, conditioned on past tokens. However, GANs work in a fundamentally new framework, in that they aren’t trained to increase the likelihood of the next (ground truth) word in a sequence, but to generate a word that will make a discriminator more likely to see the sentence as realistic. Since GANs don’t directly model the probability of token t, given prior tokens, you can’t evaluate them using this maximum likelihood framework. 

This paper surveys a range of prior work that has evaluated GANs and MLE models on two broad categories of metrics, occasionally showing GANs to perform better on one or the other, but not really giving a way to trade off between the two. 
- The first type of metric, shorthanded as “quality”, measures how aligned the generated text is with some reference corpus of text: to what extent your generated text seems to “come from the same distribution” as the original. BLEU, a heuristic frequently used in translation, and also leveraged here, measures how frequently certain sets of n-grams occur in the reference text, relative to the generated text. N typically goes up to 4, and so in addition to comparing the distributions of single tokens in the reference and generated, BLEU also compares shared bigrams, trigrams, and quadgrams (?) to measure more precise similarity of text. 
- The second metric, shorthanded as “diversity” measures how different generated sentences are from one another. If you want to design a model to generate text, you presumably want it to be able to generate a diverse range of text - in probability terms, you want to fully sample from the distribution, rather than just taking the expected or mean value. Linguistically, this would be show up as a generator that just generates the same sentence over and over again. This sentence can be highly representative of the original text, but lacks diversity. One metric used for this is the same kind of BLEU score, but for each generated sentence against a corpus of prior generated sentences, and, here, the goal is for the overlap to be as low as possible 

The trouble with these two metrics is that, in their raw state, they’re pretty incommensurable, and hard to trade off against one another. The authors of this paper try to address this by observing that all models trade off diversity and quality to some extent, just by modifying the entropy of the conditional token distribution they learn. If a distribution is high entropy, that is, if it spreads probability out onto more tokens, it’s likelier to bounce off into a random place, which increases diversity, but also can make the sentence more incoherent. By contrast, if a distribution is too low entropy, only ever putting probability on one or two words, then it will be only ever capable of carving out a small number of distinct paths through word space. 
The below table shows a good example of what language generation can look like at high and low levels of entropy 
https://i.imgur.com/YWGXDaJ.png

The entropy of a softmax distribution be modified, without changing the underlying model, by changing the *temperature* of the softmax calculation. So, the authors do this, and, as a result, they can chart out that model’s curve on the quality/diversity axis. Conceptually, this is asking “at a range of different quality thresholds, how good is this model’s diversity,” and vice versa. I mentally analogize this to a ROC curve, where it’s not really possible to compare, say, precision of models that use different thresholds, and so you instead need to compare the curve over a range of different thresholds, and compare models on that.  

https://i.imgur.com/C3zdEjm.png

When they do this for GANs and MLEs, they find that, while GANs might dominate on a single metric at a time, when you modulate the temperature of MLE models, they’re able to achieve superior quality when you tune them to commensurate levels of diversity. 

This paper starts by introducing a trick to reduce the variance of stochastic gradient variational Bayes (SGVB) estimators. In neural networks, SGVB consists in learning a variational (e.g. diagonal Gaussian) posterior over the weights and biases of neural networks, through a procedure that (for the most part) alternates between adding (Gaussian) noise to the model's parameters and then performing a model update with backprop. 

The authors present a local reparameterization trick, which exploits the fact that the Gaussian noise added into the weights could instead be added directly into the pre-activation (i.e. before the activation fonction) vectors during forward propagation. This is due to the fact that computing the pre-activation is a linear operation, thus noise at that level is also Gaussian. The advantage of doing so is that, in the context of minibatch training, one can efficiently then add independent noise to the pre-activation vectors for each example of the minibatch. The nature of the local reparameterization trick implies that this is equivalent to using one corrupted version of the weights for each example in the minibatch, something that wouldn't be practical computationally otherwise. This is in fact why, in normal SGVB, previous work would normally use a single corrupted version of the weights for all the minibatch. 

The authors demonstrate that using the local reparameterization trick yields stochastic gradients with lower variance, which should improve the speed of convergence.

Then, the authors demonstrate that the Gaussian version of dropout (one that uses multiplicative Gaussian noise, instead of 0-1 masking noise) can be seen as the local reparameterization trick version of a SGVB objective, with some specific prior and variational posterior. In this SGVB view of Gaussian dropout, the dropout rate is an hyper-parameter of this prior, which can now be tuned by optimizing the variational lower bound of SGVB. In other words, we now have a method to also train the dropout rate! Moreover, it becomes possible to tune an individual dropout rate parameter for each layer, or even each parameter of the model.

Experiments on MNIST confirm that tuning that parameter works and allows to reach good performance of various network sizes, compared to using a default dropout rate. 


##### My two cents

This is another thought provoking connection between Bayesian learning and dropout. Indeed, while Deep GPs have allowed to make a Bayesian connection with regular (binary) dropout learning \cite{journals/corr/GalG15}, this paper sheds light on a neat Bayesian connection for the Gaussian version of dropout. This is great, because it suggests that Gaussian dropout training is another legit way of modeling uncertainty in the parameters of neural networks. It's also nice that that connection also yielded a method for tuning the dropout rate automatically.

I hope future work (by the authors or by others) can evaluate the quality of the corresponding variational posterior in terms of estimating uncertainty in the network and, in particular, in obtaining calibrated output probabilities.

Little detail: I couldn't figure out whether the authors tuned a single dropout rate for the whole network, or used many rates, for instance one per parameter, as they suggest can be done.