Originally posted [here](https://github.com/abhshkdz/papers/blob/master/reviews/actions-~-transformations.md).

This paper introduces a novel representation for actions in videos as transformations that change the state of the environment from what it was before the action (precondition) to what it will be after it (effect).

- Model
    - The model utilizes a Siamese architecture with each head having convolutional and fully-connected layers (similar to VGG16). Each head extracts features for a subset of video frames (precondition or effect) that are aggregated by average pooling and followed by a fully-connected layer.
    - The precondition frames are indexed from 1 to z\_p and the effect frames from z\_e to t. Both z\_p and z\_e are latent variables, constrained to be from [1/3t, 1/2t] and [1/2t, 2/3t] respectively and estimated via brute force search during training.
    - The action is represented as a linear transformation between the final fully-connected layers of the two heads. For n action categories, the transformation layer has n transformation matrices.
    - The model is trained with a contrastive loss function to 1) maximize cosine similarity between the effect embedding and the transformed precondition embedding, and 2) maximize distance for incorrect transformations if greater than a chosen margin.
- ACT Dataset
    - 50 keywords, 43 classes, ~500 YouTube videos per keyword.
    - The authors collect the ACT dataset primarily for the task of cross-category generalization (as it doesn't allow models to overfit to contextual information). For example, how would a model learned on "opening a window" generalize to recognize "opening the trunk of the car"? How about generalizing from a model trained on "climbing a cliff" to recognize "climbing a tree"?
    - The ACT dataset has class and super-class annotations from human workers. Each super-class has different sub-categories which are the same action under different subjects, objects and scenes.
- Experiments
    - Action recognition on UCF101, HMDB51, ACT.
    - Cross-category generalization on ACT.
- Visualizations
    - Nearest neighbor: modeling the actions as transformations gives semantically meaningful retrievals that don't just depend on motion and color.
    - Gradient visualizations (Simonyan et al. 2014): model focuses on changes in scene (human + object) than context.
    - Embedding retrievals based on transformed precondition embeddings.

** Thoughts **

- Modeling action as a transformation from precondition to effect is a very neat idea.
- The exact formulation and supporting experiments and ablation studies are thorough.
- During inference, the model first extracts features for all frames and then does a brute force search over (y,z\_p,z\_e) to estimate the action category and segmentation into precondition and effect. For longer sequences, this seems expensive. Although hard decisions aren't differentiable, a soft attention mechanism on z might be feasible and reduce computation to a single forward pass.

# Object detection system overview.

https://i.imgur.com/vd2YUy3.png
 
1.	takes an input image,
2.	extracts around 2000 bottom-up region proposals, 
3.	computes features for each proposal using a large convolutional neural network (CNN), and then
4.	classifies each region using class-specific linear SVMs.
* R-CNN achieves a mean average precision (mAP) of 53.7% on PASCAL VOC 2010.
* On the 200-class ILSVRC2013 detection dataset, R-CNN’s mAP is 31.4%, a large improvement over OverFeat , which had the previous best result at 24.3%.

## There is a 2 challenges faced in object detection 
1.	localization problem
2.	labeling the data

1 localization problem :
*  One approach frames localization as a regression problem.  they report a mAP of 30.5% on VOC 2007 compared to the 58.5% achieved by our method.
* An alternative is to build a sliding-window detector.  considered adopting a sliding-window approach increases the number of convolutional layers to 5, have very large receptive fields (195 x 195 pixels) and strides (32x32 pixels) in the input image, which makes precise localization within the sliding-window paradigm.

2 labeling the data:
* The conventional solution to this problem is to use unsupervised pre-training, followed by supervise fine-tuning 
* supervised pre-training on a large auxiliary dataset (ILSVRC), followed by domain specific fine-tuning on a small dataset (PASCAL),
* fine-tuning for detection improves mAP performance by 8 percentage points. 
* Stochastic gradient descent via back propagation was used to  effective for training convolutional neural networks (CNNs)
 
##  Object detection with R-CNN
This  system consists of three modules
* The first generates category-independent region proposals. These proposals define the set of candidate detections available to our detector.
*  The second module is a large convolutional neural network that extracts a fixed-length feature vector from each region.
* The third module is a set of class specific linear SVMs.

Module design

1 Region proposals 
* which detect mitotic cells by applying a CNN to regularly-spaced square crops.
* use selective search method in fast mode (Capture All Scales, Diversification, Fast to Compute).
* the time spent computing region proposals and features (13s/image on a GPU or 53s/image on a CPU)

2 Feature extraction.
* extract a 4096-dimensional feature vector from each region proposal using the Caffe  implementation of the CNN 
* Features are computed by forward propagating a mean-subtracted 227x227 RGB image through five convolutional layers and two fully connected layers.
* warp all pixels in a tight bounding box around it to the required size
* The feature matrix is typically 2000x4096 

3 Test time detection
* At test time, run selective search on the test image to extract around 2000 region proposals (we use selective search’s “fast mode” in all experiments).
*  warp each proposal and forward propagate it through the CNN in order to compute features. Then, for each class, we score each extracted feature vector using the SVM trained for that class.
* Given all scored regions in an image, we apply a greedy non-maximum suppression (for each class independently) that rejects a region if it has an intersection-over union (IoU) overlap with a higher scoring selected region larger than a learned threshold.
## Training

1 Supervised pre-training:
 * pre-trained the CNN on a large auxiliary dataset (ILSVRC2012 classification)  using image-level annotations only (bounding box labels are not available for this data)

2  Domain-specific fine-tuning.
* use the stochastic gradient descent (SGD) training of the CNN parameters using only warped region proposals with  learning rate of 0.001.

3  Object category classifiers.
*   use intersection-over union (IoU) overlap threshold method  to label a region with The overlap threshold of 0.3.
* Once features are extracted and training labels are applied, we optimize one linear SVM per class.
* adopt the standard hard negative mining method to fit large training data in memory.

### Results on PASCAL VOC 201012

1  VOC 2010
* compared against four strong baselines including SegDPM, DPM, UVA, Regionlets. 
* Achieve a large improvement in mAP, from 35.1% to 53.7% mAP,  while also being much faster
 https://i.imgur.com/0dGX9b7.png
2 ILSVRC2013 detection.
* ran R-CNN on the 200-class ILSVRC2013 detection dataset
* R-CNN achieves a mAP of 31.4%
https://i.imgur.com/GFbULx3.png
#### Performance layer-by-layer, without fine-tuning
1 pool5 layer 
* which is the max pooled output of the network’s fifth and final convolutional layer.
*The pool5 feature map is 6 x6 x 256 = 9216 dimensional
* each pool5 unit has a receptive field of 195x195 pixels in the original 227x227 pixel input

2 Layer fc6
* fully connected to pool5
*  it multiplies a 4096x9216 weight matrix by the pool5 feature map (reshaped as a 9216-dimensional vector) and then adds a vector of biases

3 Layer fc7
* It is implemented by multiplying the features computed by fc6 by a 4096 x 4096 weight matrix, and similarly adding a vector of biases and applying half-wave rectification
#### Performance layer-by-layer, with fine-tuning
* CNN’s parameters  fine-tuned on PASCAL.
* fine-tuning increases mAP by 8.0 % points to 54.2%

### Network architectures
* 16-layer deep network, consisting of 13 layers of 3 _ 3 convolution kernels, with five max pooling layers interspersed, and topped with three fully-connected layers. We refer to this network as “O-Net” for OxfordNet and the baseline as “T-Net” for TorontoNet.
* RCNN with O-Net substantially outperforms R-CNN with TNet, increasing mAP from 58.5% to 66.0%
* drawback in terms of compute time, with in terms of compute time, with than T-Net.

1 The ILSVRC2013 detection dataset
* dataset is split into three sets: train (395,918), val (20,121), and test (40,152) 

#### CNN features for segmentation.
* full R-CNN: The first strategy (full) ignores the re region’s shape and computes CNN features directly on the warped window. Two regions might have very similar bounding boxes while having very little overlap. 
* fg R-CNN: the second strategy (fg) computes CNN features only on a region’s foreground mask. We replace the background with the mean input so that background regions are zero after mean subtraction.
* full+fg R-CNN: The third strategy (full+fg) simply concatenates the full and fg features
 https://i.imgur.com/n1bhmKo.png

#### Introduction

* The paper proposes a general and end-to-end approach for sequence learning that uses two deep LSTMs, one to map input sequence to vector space and another to map vector to the output sequence.
* For sequence learning, Deep Neural Networks (DNNs) requires the dimensionality of input and output sequences be known and fixed. This limitation is overcome by using the two LSTMs.
* [Link to the paper](https://papers.nips.cc/paper/5346-sequence-to-sequence-learning-with-neural-networks.pdf)

#### Model

* Recurrent Neural Networks (RNNs) generalizes feed forward neural networks to sequences.
* Given a sequence of inputs $(x_{1}, x_{2}...x_{t})$, RNN computes a sequence of outputs $(y_1, y_2...y_t')$ by iterating over the following equation:

$$h_t = sigm(W^{hx}x_t + W^{hh} h_{t-1})$$

$$y^{t} = W^{yh}h_{t}$$

* To map variable length sequences, the input is mapped to a fixed size vector using an RNN and this fixed size vector is mapped to output sequence using another RNN.
* Given the long-term dependencies between the two sequences, LSTMs are preferred over RNNs.
* LSTMs estimate the conditional probability *p(output sequence | input sequence)* by first mapping the input sequence to a fixed dimensional representation and then computing the probability of output with a standard LST-LM formulation.

##### Differences between the model and standard LSTMs

* The model uses two LSTMs (one for input sequence and another for output sequence), thereby increasing the number of model parameters at negligible computing cost.
* Model uses Deep LSTMs (4 layers).
* The words in the input sequences are reversed to introduce short-term dependencies and to reduce the "minimal time lag". By reversing the word order, the first few words in the source sentence (input sentence) are much closer to first few words in the target sentence (output sentence) thereby making it easier for LSTM to "establish" communication between input and output sentences.


#### Experiments

* WMT'14 English to French dataset containing 12 million sentences consisting of 348 million French words and 304 million English words.
* Model tested on translation task and on the task of re-scoring the n-best results of baseline approach.
* Deep LSTMs trained in sentence pairs by maximizing the log probability of a correct translation $T$, given the source sentence $S$
* The training objective is to maximize this log probability, averaged over all the pairs in the training set.
* Most likely translation is found by performing a simple, left-to-right beam search for translation.
* A hard constraint is enforced on the norm of the gradient to avoid the exploding gradient problem.
* Min batches are selected to have sentences of similar lengths to reduce training time.
* Model performs better when reversed sentences are used for training.
* While the model does not beat the state-of-the-art, it is the first pure neural translation system to outperform a phrase-based SMT baseline.
* The model performs well on long sentences as well with only a minor degradation for the largest sentences.
* The paper prepares ground for the application of sequence-to-sequence based learning models in other domains by demonstrating how a simple and relatively unoptimised neural model could outperform a mature SMT system on translation tasks.

FaceNet directly maps face images to $\mathbb{R}^{128}$ where distances directly correspond to a measure of face similarity. They use a triplet loss function. The triplet is (face of person A, other face of person A, face of person which is not A). Later, this is called (anchor, positive, negative).

The loss function is learned and inspired by LMNN. The idea is to minimize the distance between the two images of the same person and maximize the distance to the other persons image.

## LMNN

Large Margin Nearest Neighbor (LMNN) is learning a pseudo-metric

$$d(x, y) = (x -y) M  (x -y)^T$$

where $M$ is a positive-definite matrix. The only difference between a pseudo-metric and a metric is that $d(x, y) = 0 \Leftrightarrow x = y$ does not hold.

## Curriculum Learning: Triplet selection

Show simple examples first, then increase the difficulty. This is done by selecting the triplets.

They use the triplets which are *hard*. For the positive example, this means the distance between the anchor and the positive example is high. For the negative example this means the distance between the anchor and the negative example is low.

They want to have

$$||f(x_i^a) - f(x_i^p)||_2^2 + \alpha < ||f(x_i^a) - f(x_i^n)||_2^2$$

where $\alpha$ is a margin and $x_i^a$ is the anchor, $x_i^p$ is the positive face example and $x_i^n$ is the negative example. They increase $\alpha$ over time. It is crucial that $f$ maps the images not in the complete $\mathbb{R}^{128}$, but on the unit sphere. Otherwise one could double $\alpha$ by simply making $f' = 2 \cdot f$.

## Tasks

* **Face verification**: Is this the same person?
* **Face recognition**: Who is this person?

## Datasets

* 99.63% accuracy on Labeled FAces in the Wild (LFW)
* 95.12% accuracy on YouTube Faces DB

## Network

Two models are evaluated: The [Zeiler & Fergus model](http://www.shortscience.org/paper?bibtexKey=journals/corr/ZeilerF13)  and an architecture based on the [Inception model](http://www.shortscience.org/paper?bibtexKey=journals/corr/SzegedyLJSRAEVR14).

## See also

* [DeepFace](http://www.shortscience.org/paper?bibtexKey=conf/cvpr/TaigmanYRW14#martinthoma)

  * The paper describes a method to separate content and style from each other in an image.
  * The style can then be transfered to a new image.
  * Examples:
    * Let a photograph look like a painting of van Gogh.
    * Improve a dark beach photo by taking the style from a sunny beach photo.

### How
  * They use the pretrained 19-layer VGG net as their base network.
  * They assume that two images are provided: One with the *content*, one with the desired *style*.
  * They feed the content image through the VGG net and extract the activations of the last convolutional layer. These activations are called the *content representation*.
  * They feed the style image through the VGG net and extract the activations of all convolutional layers. They transform each layer to a *Gram Matrix* representation. These Gram Matrices are called the *style representation*.
  * How to calculate a *Gram Matrix*:
    * Take the activations of a layer. That layer will contain some convolution filters (e.g. 128), each one having its own activations.
    * Convert each filter's activations to a (1-dimensional) vector.
    * Pick all pairs of filters. Calculate the scalar product of both filter's vectors.
    * Add the scalar product result as an entry to a matrix of size `#filters x #filters` (e.g. 128x128).
    * Repeat that for every pair to get the Gram Matrix.
    * The Gram Matrix roughly represents the *texture* of the image.
  * Now you have the content representation (activations of a layer) and the style representation (Gram Matrices).
  * Create a new image of the size of the content image. Fill it with random white noise.
  * Feed that image through VGG to get its content representation and style representation. (This step will be repeated many times during the image creation.)
  * Make changes to the new image using gradient descent to optimize a loss function.
    * The loss function has two components:
      * The mean squared error between the new image's content representation and the previously extracted content representation.
      * The mean squared error between the new image's style representation and the previously extracted style representation.
    * Add up both components to get the total loss.
    * Give both components a weight to alter for more/less style matching (at the expense of content matching).


![Examples](https://raw.githubusercontent.com/aleju/papers/master/neural-nets/images/A_Neural_Algorithm_for_Artistic_Style__examples.jpg?raw=true "Examples")

*One example input image with different styles added to it.*

-------------------------

### Rough chapter-wise notes

* Page 1
  * A painted image can be decomposed in its content and its artistic style.
  * Here they use a neural network to separate content and style from each other (and to apply that style to an existing image).

* Page 2
  * Representations get more abstract as you go deeper in networks, hence they should more resemble the actual content (as opposed to the artistic style).
  * They call the feature responses in higher layers *content representation*.
  * To capture style information, they use a method that was originally designed to capture texture information.
  * They somehow build a feature space on top of the existing one, that is somehow dependent on correlations of features. That leads to a "stationary" (?) and multi-scale representation of the style.

* Page 3
  * They use VGG as their base CNN.

* Page 4
  * Based on the extracted style features, they can generate a new image, which has equal activations in these style features.
  * The new image should match the style (texture, color, localized structures) of the artistic image.
  * The style features become more and more abtstract with higher layers. They call that multi-scale the *style representation*.
  * The key contribution of the paper is a method to separate style and content representation from each other.
  * These representations can then be used to change the style of an existing image (by changing it so that its content representation stays the same, but its style representation matches the artwork).

* Page 6
  * The generated images look most appealing if all features from the style representation are used. (The lower layers tend to reflect small features, the higher layers tend to reflect larger features.)
  * Content and style can't be separated perfectly.
  * Their loss function has two terms, one for content matching and one for style matching.
  * The terms can be increased/decreased to match content or style more.

* Page 8
  * Previous techniques work only on limited or simple domains or used non-parametric approaches (see non-photorealistic rendering).
  * Previously neural networks have been used to classify the time period of paintings (based on their style).
  * They argue that separating content from style might be useful and many other domains (other than transfering style of paintings to images).

* Page 9
  * The style representation is gathered by measuring correlations between activations of neurons.
  * They argue that this is somehow similar to what "complex cells" in the primary visual system (V1) do.
  * They note that deep convnets seem to automatically learn to separate content from style, probably because it is helpful for style-invariant classification.

* Page 9, Methods
  * They use the 19 layer VGG net as their basis.
  * They use only its convolutional layers, not the linear ones.
  * They use average pooling instead of max pooling, as that produced slightly better results.

* Page 10, Methods
  * The information about the image that is contained in layers can be visualized. To do that, extract the features of a layer as the labels, then start with a white noise image and change it via gradient descent until the generated features have minimal distance (MSE) to the extracted features.
  * The build a style representation by calculating Gram Matrices for each layer.

* Page 11, Methods
  * The Gram Matrix is generated in the following way:
    * Convert each filter of a convolutional layer to a 1-dimensional vector.
    * For a pair of filters i, j calculate the value in the Gram Matrix by calculating the scalar product of the two vectors of the filters.
    * Do that for every pair of filters, generating a matrix of size #filters x #filters. That is the Gram Matrix.
  * Again, a white noise image can be changed with gradient descent to match the style of a given image (i.e. minimize MSE between two Gram Matrices).
  * That can be extended to match the style of several layers by measuring the MSE of the Gram Matrices of each layer and giving each layer a weighting.

* Page 12, Methods
  * To transfer the style of a painting to an existing image, proceed as follows:
    * Start with a white noise image.
    * Optimize that image with gradient descent so that it minimizes both the content loss (relative to the image) and the style loss (relative to the painting).
    * Each distance (content, style) can be weighted to have more or less influence on the loss function.